Kool And The Gang Spirit Of The Boogie Rar Extractor

Profile Formed by Robert 'Kool' Bell, his brother Ronald Bell and a bunch of their New Jersey teenage friends in the mid-60s (then called the Jazziacs), Kool & the Gang played traditional jazz in regional venues for several years, slowly morphing their style to incorporate emerging funk sounds of Sly and the Family Stone and James Brown. Kool and the Gang (1969). Live at the Sex Machine (1971). Live at P.J.' S (1971) Recorded in a Hollywood night club on May 29, 1971, with string sweetening added later. At this point the band wasn't playing heavy funk - most of the tracks are mild-mannered fusion excursions, with long vamps and plenty of unfocused solos ('N.T.' ), and sometimes with vague Latin overtones ('Sombrero Sam,' which.

Had been together for over a decade before they enjoyed their first UK hit single in October 1979 with Ladies’ Night. Even though there was just one addition to their line-up (vocalist James 'JT' Taylor), the smooth grooving disco-friendly band that became a fixture in the charts for the next decade seemed to have little to do with the Afrocentric jazz-influenced funkers that had been US R&B stars throughout the 70s.Formed in New Jersey as the Jazziacs in 1964, Kool & The Gang made some of their most interesting music on the 12 albums preceding their UK breakthrough. Spirit of the Boogie – their eighth – offers proof of their mastery of the gritty urban groove, and is the apogee of the group’s earlier incarnation.It’s a very familiar, warm sound. The title track showcases Claydes Smith’s tight, crunchy guitar grit and occasional member Donal Boyce’s 'Boogie Man' vocals, as well as the Gang’s trademark group chants. Ronald Bell’s wayward synth gives it the requisite in-era cosmic edge.Ride the Rhythm features great horn parts, underpinned by Robert 'Kool' Bell’s bass. The break at the start of Jungle Jazz – the wild and crazy reworking of their 1973 hit Jungle Boogie – was later enshrined in popular culture as the key beat in Pump Up the Volume by.Ancestral Ceremony references their previous work and reiterates the claim, first made on their 1973 album, that they are indeed “scientists of sound”. Another nod to their past, Winter Sadness is the divine sister song to their earlier Summer Madness.

Closer Caribbean Festival takes a swaggering sunshine-kissed rhythm and stretches it out over nine minutes of joyous improvisation.Spirit of the Boogie was another US top five R&B hit and was Kool & The Gang’s last album that contained truly gritty funk and jazz. It would not be long before Open Sesame graced Saturday Night Fever, which was to pave the way for the Celebration that their later work became. This album remains, like all of their early releases, a fascinating listen.

Formed as a jazz ensemble in the mid-’60s, Kool & the Gang became one of the most inspired and influential funk units during the ’70s, and one of the most popular R&B groups of the ’80s after their breakout hit “Celebration” in 1979. Just as funky as James Brown or Parliament (and sampled almost as frequently), Kool & the Gang relied on their jazz backgrounds and long friendship to form a tightly knit group with the interplay and improvisation of a jazz outfit, plus the energy and spark of a band with equal ties to soul, R&B, and funk. Here’s the two best albums of their early period. Kool & the Gang’s fourth studio album was the band’s commercial breakout, landing three singles on the Top 40 charts. While two of those tunes, “ Funky Stuff” and “ Hollywood Swinging“, may be best remembered by hardcore fans of old-school funk, the third was the immortal “ Jungle Boogie“. One of the canonical 1970s funk singles, up there with the best work by Parliament and Barry White, “Jungle Boogie” is a horn-led, jazz-tinged workout with an irresistible beat and a joyous party atmosphere.

The rest of the album is nearly as good, culminating in the extended title track, an almost-10-minute hard-fusion jam that will surprise listeners who only know Kool & the Gang’s later, more pop-oriented hits. WILD AND PEACEFUL is the balance point between the chart-savvy “ Ladies Night” era and Kool & the Gang’s wilder early days.Get it. Discussing Kool & the Gang in the early ’70s, James Brown enthused, “They’re the second-baddest out thereThey make such bad records that you got to be careful when you play a new tape on the way home from the record store. Their groove is so strong you could wreck.” And that really says it all. Kool & the Gang were funk’s kings in 1975, and Spirit of the Boogie was the finest album they ever recorded — the staggering climax of their development thus far. The record-buying public thought so too — the album gave the band their first Top Five R&B hit.

Spirit of the Boogie may have been first and foremost a funk masterpiece, but it was also so much more. From the African art on the foldout sleeve to the spiritual and musical purity of many of the songs, this album not only bound the band’s reverence for their roots to a blistering, street-smart funk, but also demonstrated a keen awareness of their own role in their musical odyssey.“ Ancestral Ceremony” pays homage by quoting from Kool’s earlier songs, while “ Jungle Jazz” tracks back to the original pounding jams that imbibed 1973’s “Jungle Boogie.” The title track, meanwhile, is quintessential Kool & the Gang — fiery funk which is kept in check by rhythm and chant.

It gave the band a springtime number one on the R&B charts — their third. This is a phenomenal set, a superlative album. And because the grooves are so strong, it’s easy to forgive weak moments — most especially the mawkish “ Sunshine and Love“. Kool & the Gang were outstanding during this period, before they caught the disco bug. Spirit of the Boogie remains a proud achievement.

Profile Formed by Robert 'Kool' Bell, his brother Ronald Bell and a bunch of their New Jersey teenage friends in the mid-60s (then called the Jazziacs), Kool & the Gang played traditional jazz in regional venues for several years, slowly morphing their style to incorporate emerging funk sounds of Sly and the Family Stone and James Brown. Kool and the Gang (1969). Live at the Sex Machine (1971). Live at P.J.' S (1971) Recorded in a Hollywood night club on May 29, 1971, with string sweetening added later. At this point the band wasn't playing heavy funk - most of the tracks are mild-mannered fusion excursions, with long vamps and plenty of unfocused solos ('N.T.' ), and sometimes with vague Latin overtones ('Sombrero Sam,' which.

Had been together for over a decade before they enjoyed their first UK hit single in October 1979 with Ladies’ Night. Even though there was just one addition to their line-up (vocalist James 'JT' Taylor), the smooth grooving disco-friendly band that became a fixture in the charts for the next decade seemed to have little to do with the Afrocentric jazz-influenced funkers that had been US R&B stars throughout the 70s.Formed in New Jersey as the Jazziacs in 1964, Kool & The Gang made some of their most interesting music on the 12 albums preceding their UK breakthrough. Spirit of the Boogie – their eighth – offers proof of their mastery of the gritty urban groove, and is the apogee of the group’s earlier incarnation.It’s a very familiar, warm sound. The title track showcases Claydes Smith’s tight, crunchy guitar grit and occasional member Donal Boyce’s 'Boogie Man' vocals, as well as the Gang’s trademark group chants. Ronald Bell’s wayward synth gives it the requisite in-era cosmic edge.Ride the Rhythm features great horn parts, underpinned by Robert 'Kool' Bell’s bass. The break at the start of Jungle Jazz – the wild and crazy reworking of their 1973 hit Jungle Boogie – was later enshrined in popular culture as the key beat in Pump Up the Volume by.Ancestral Ceremony references their previous work and reiterates the claim, first made on their 1973 album, that they are indeed “scientists of sound”. Another nod to their past, Winter Sadness is the divine sister song to their earlier Summer Madness.

Closer Caribbean Festival takes a swaggering sunshine-kissed rhythm and stretches it out over nine minutes of joyous improvisation.Spirit of the Boogie was another US top five R&B hit and was Kool & The Gang’s last album that contained truly gritty funk and jazz. It would not be long before Open Sesame graced Saturday Night Fever, which was to pave the way for the Celebration that their later work became. This album remains, like all of their early releases, a fascinating listen.

Formed as a jazz ensemble in the mid-’60s, Kool & the Gang became one of the most inspired and influential funk units during the ’70s, and one of the most popular R&B groups of the ’80s after their breakout hit “Celebration” in 1979. Just as funky as James Brown or Parliament (and sampled almost as frequently), Kool & the Gang relied on their jazz backgrounds and long friendship to form a tightly knit group with the interplay and improvisation of a jazz outfit, plus the energy and spark of a band with equal ties to soul, R&B, and funk. Here’s the two best albums of their early period. Kool & the Gang’s fourth studio album was the band’s commercial breakout, landing three singles on the Top 40 charts. While two of those tunes, “ Funky Stuff” and “ Hollywood Swinging“, may be best remembered by hardcore fans of old-school funk, the third was the immortal “ Jungle Boogie“. One of the canonical 1970s funk singles, up there with the best work by Parliament and Barry White, “Jungle Boogie” is a horn-led, jazz-tinged workout with an irresistible beat and a joyous party atmosphere.

The rest of the album is nearly as good, culminating in the extended title track, an almost-10-minute hard-fusion jam that will surprise listeners who only know Kool & the Gang’s later, more pop-oriented hits. WILD AND PEACEFUL is the balance point between the chart-savvy “ Ladies Night” era and Kool & the Gang’s wilder early days.Get it. Discussing Kool & the Gang in the early ’70s, James Brown enthused, “They’re the second-baddest out thereThey make such bad records that you got to be careful when you play a new tape on the way home from the record store. Their groove is so strong you could wreck.” And that really says it all. Kool & the Gang were funk’s kings in 1975, and Spirit of the Boogie was the finest album they ever recorded — the staggering climax of their development thus far. The record-buying public thought so too — the album gave the band their first Top Five R&B hit.

Spirit of the Boogie may have been first and foremost a funk masterpiece, but it was also so much more. From the African art on the foldout sleeve to the spiritual and musical purity of many of the songs, this album not only bound the band’s reverence for their roots to a blistering, street-smart funk, but also demonstrated a keen awareness of their own role in their musical odyssey.“ Ancestral Ceremony” pays homage by quoting from Kool’s earlier songs, while “ Jungle Jazz” tracks back to the original pounding jams that imbibed 1973’s “Jungle Boogie.” The title track, meanwhile, is quintessential Kool & the Gang — fiery funk which is kept in check by rhythm and chant.

It gave the band a springtime number one on the R&B charts — their third. This is a phenomenal set, a superlative album. And because the grooves are so strong, it’s easy to forgive weak moments — most especially the mawkish “ Sunshine and Love“. Kool & the Gang were outstanding during this period, before they caught the disco bug. Spirit of the Boogie remains a proud achievement.